and now i'm going to sleep. hope you all had great thanksgivings!
doesn't it look amazing? i'm excited.
An enormous last day of life.“Jonathan Safran Foer, deftly deploys sculptural means to craft a truly compelling story. In our world of screens, he welds narrative, materiality, and our reading experience into a book that remembers that it actually has a body.”
–Olafur EliassonOur early conversations with Jonathan Safran Foer aboutTree of Codes started when Jonathan said he was curious to explore and experiment with the die-cut technique. With that as our mutual starting point, we spent many months of emails and phone calls, exploring the idea of the pages’ physical relationship to one another and how this could somehow be developed to work with a meaningful narrative. This led to Jonathan deciding to use an existing piece of text and cut a new story out of it. Having considered working with various texts, Jonathan decided to cut into and out of what he calls his “favourite book”: The Street of Crocodiles by Bruno Schulz.As Jonathan began to carve out his story, we started doing our production homework and literally got turned down by every printer we approached – their stock line being “the book you want to make just cannot be made”. Thankfully, we found Die Keure in Belgium who relished the challenge of making a book with a different die-cut on every page.Over a year of writing, cutting and proto-typing later, comesTree of Codes, a haunting new story by Jonathan Safran Foer cut from Bruno Schulz’s words.The book is as much a sculptural object as it is a work of masterful storytelling: here is an “enormous last day of life” that looks like it feels.
picked it up. and it was Dirty Text Guy. here's a rough transcript of our conversation:Dirty Text Guy (DTG): Hello? Is this Barbara? I just texted you, I'm so sorry if this isn't the wrong number, do you know Barbara?[DTG speaks really fast. he sounded pretty nervous, too]me: ...This is Rachel. I got your text. You know I'm 17, right? So you might want to quit quoting porn at me because that's just really creepy.[and, okay, i know the text wasn't to me, but i just couldn't resist. messing with people is so much fun. besides, it's really better that he got me on the phone and not the madre, because during the flap-her-hands-and-ask-Jesus-why-these-things-happened-to-her routine she was totally squawking about calling the police and tracking down the 'indecent person']DTG: ...17. I'M SO SORRY PLEASE DON'T CALL THE COPS ON ME I DIDN'T KNOW.me: ...okay. You might want to go get Barbara's real number now. Is the Barbara you know Barbara [insert-last-name-here], because that's my neighbor and she's married and that's just really creepy.DTG: ...OH MY GOD.End Call.