i know, i know. marvel at my dedication. or don't, since i didn't blog at all over the weekend. here, i'll make it up to you:
Stars wheel in purple, yours is not so rare
as Hesperus, nor yet so great a star
as bright Aldeboran or Sirius,
nor yet the stained and brilliant one of War;
stars turn in purple, glorious to the sight;
yours is not gracious as the Pleiads are
nor as Orion's sapphires, luminous;
yet disenchanted, cold, imperious face,
when all the others blighted, reel and fall,
your star, steel-set, keeps lone and frigid tryst
to freighted ships, baffled in wind and blast.
isn't that a pretty poem? it's by h. d., aka hilda doolittle. she was pretty awesome. i'd go on a bit more about poetry, but mona's currently describing the homemade sponge cake she's bringing to school tomorrow, so i'm mostly just salivating over that. i'm serious - hearing her descriptions of dessert has reduced me to a drooling, gibbering wreck of a person who has no other purpose in life beyond the googling of chocolate-filled images. see? proof:
...hypothetically speaking, the prospect of future desserts might intensify my natural tendency to hyperbolize. might.
true story: i just tried to type "might" as "mgmt". freudian slip much? in other words, i've had mgmt's new album on my brain. it's so different from oracular spectacular that when i first heard it i was kind of like:
but then it started to grow on me. it's strange - i initially hated every song in my 100! playlist (in case it wasn't obvious, that's the smart playlist that houses my 100 top-played songs), while the songs i find most earwormy and hummable are among my least favorites. like this weekend - during our lovely friday off, i went to dsw to hang with jenibean and was exposed to her strange collection of car music for the second time. among them was a song whose lyrics seemed to be nothing but the phrase "she's a sexy chick" and three or four songs which sounded exactly like and whose subject matter dealed with "rumpy pumpy" as my lit teacher calls it. the only saving grace to any of them was that they had pretty awesome beats and bad mixing so you could never really tell what the singer was saying. in other words, they were all the perfect earworms. do you think i'm going to be sullying ophelia the ipod with any of those songs?
if you answered anything other than "no" to that question, i will refer you to the following gif. in this scenario, pretend that ophelia the ipod is jim and Crappy Music is dwight. now watch:
there, does that clear things up for you? i thought it'd help. the office can explain anything. so can family guy, actually.
wow, early release is almost over. i've got to go to buzzer club in, like, ten minutes, so i'm going to wrap this up. oh, and in case you didn't notice, i copied gina's idea and added a currently reading tab over on the right side of the page.






